I’m not really sure where to begin with this novel. Wikipedia describes it as possibly a tribute to Philip K. Dick, and I can understand that. From reading Dick’s biography I know that Ursula and PKD were friends via correspondence, had they lived in the age of the internet they would have been frequent emailers, and the central premise of the story bears a striking resemblance to a key red herring in Ubik (1969).
The Lathe of Heaven (published 1971) centres on George Orr, a man living in ~2000 who has the ability to change the past with his dreams. When Orr falls asleep he runs the risk of changing reality for all humanity, and it is slowly driving him crazy. To escape the anxiety of ruining the lives of others Orr is retreating into drugs, and is eventually busted by the authorities for illegal procurement of a legal chemical. This bust results in his being sent to “Voluntary Therapy” with the stories other main character, psychiatrist William Haber. Haber hooks Orr up to a machine called ‘the Augmentor’ that allows him to analyse Orr’s brain activity during dreaming, and the story kicks off, with Haber learning to manipulate reality using his control over Orr.
Once again Le Guin provides herself to be a powerful and thoughtful writer, one that I find deeply compelling. The Dispossessed was intensely interesting in its depiction of a functioning anarchistic society, and here Le Guin toys with ideas of interventionism versus harmony and balance. The idea that the world falls into its own natural patterns versus the making of the world by mans hand.
Where PKD only skirts the edges of the idea of the manipulation of reality, Le Guin takes the idea and gives it full shape while making it a battle between the truly ‘centred’ Orr and the narcissistic and greedy Haber. In particular, when Orr is sent to Haber he is at his wits end, a good man who is unable to reconcile his abilities with the impact it has on the lives of others. He is able, for example to relegate 6 billion people to oblivion with the power of a single dream, something that effects him profoundly. Haber on the other hand sees this as a necessary action, something for the greater good, especially his own.
By the end of the story Orr is completely at ease with his powers, and realises the extent to which he is the centre of this, his reality, and that Haber is merely the driver of the machine, himself. These two roles, the being who is all the world, and the tinkerer at the machine, are in a way two rival conceptualisations of the godshead itself. Fascinating.
I could go on, but don’t want to undermine anyone who’s read over the jump and has already had something of a spoiler.
A thoroughly recommended read, if not only for the depiction of the 7 billion person, global-warming, mass-extinction year 2000 world Le Guin predicts.
3 September, 2007 at 12:08 pm
Nice review. I’m going to have to read this. Shamefully, I’ve never actually read anything by Le Guin. “The Dispossessed” comes highly recommended, too.
Always perplexed why there isn’t a site about books which is along the lines of allmusic.com…..
3 September, 2007 at 11:37 pm
‘The Dispossessed’ and ‘The Left Hand of Darkness’ are required reading.
Which PKD bio are you reading, Che?
4 September, 2007 at 7:40 am
Yes, but read The Dispossessed first. I struggled with The Left Hand of Darkness, and eventually put it down unfinished, but after I read The Dispossessed, I found that I had tuned in to Le Guin’s meditative style, and The Left Hand of Darkness became one of my favourites.
4 September, 2007 at 9:44 am
still can’t find a copy of the left hand of darkness (library doesn’t seem to have it).
but the bio i read was divine invasions
4 September, 2007 at 12:42 pm
I’m a bit dubious about Sutin. I prefer this one.
5 September, 2007 at 4:19 pm
I must be a Wellingtonian: I first read the title as “The Latte of Heaven”.
9 September, 2007 at 11:34 am
Off Topic:
How do you get that tag cloud Che?
9 September, 2007 at 4:07 pm
it’s in the presentation tab of the menu. just select it from the widgets options
1 May, 2010 at 7:44 am
I’ve read many reviews of this book, which is my favourite of all Le Guin’s work. And OK, I’m well aware that ‘The Left Hand of Darkness’ addresses profounder issues – I just like it, OK?
But what astounds me is that no one seems to have sussed that this is a very original re-working of the Faust myth. There’s a double role-reversal here: Haber as Faust holds the dominant role, while Orr (as Mephistopheles) is completely passive – until he dreams an unregulated dream, and resurrects his wife (who is not called Margarita). Haber, of course, restricts himself to loveless encounters with girls and young men – protect me from the affectless psychiatrist!
Goeorge Orr (‘Jaw-jaw is better than war-war’ – a very clever pun) saves the planet and the human race, and gets the girl in the end, while Haber winds up in a very specific Hell. What could be more satisfactory?
But why am I the only person on the face of the Earth who can see it?
Aho! I feel a bout of paranoia coming on …